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Arts > Photo > USA > Garry Winogrand 1928-1984
On a New York City bus around 1960.
“At its most stylish,” Mr. Cotter writes, the city has a “big-foot flair” in Winogrand’s images, though “there’s also evidence of a tailored post-austerity modesty that lingered through the 1950s and then was gone.”
Photograph: Garry Winogrand Archive, Center for Creative Photography, The University of Arizona; Estate of Garry Winogrand, Fraenkel Gallery, San Francisco
No Moral, No Uplift, Just a Restless ‘Click’ ‘Garry Winogrand,’ a Retrospective at the Metropolitan Museum NYT JULY 3, 2014
https://www.nytimes.com/2014/07/04/
A posthumous print of a shot taken by Garry Winogrand in Los Angeles between 1980 and 1983.
When Winogrand died, in 1984, he left behind more than 2,500 rolls of undeveloped film. John Szarkowski, the Museum of Modern Art’s director of photography, had them processed.
Photograph: The Estate of Garry Winogrand Fraenkel Gallery, San Francisco
Looking at Photos the Master Never Saw When Images Come to Life After Death NYT JULY 3, 2014
https://www.nytimes.com/2014/07/06/
A 1957 Albuquerque photo by Winogrand.
Photograph: The Estate of Garry Winogrand Fraenkel Gallery, San Francisco
Looking at Photos the Master Never Saw When Images Come to Life After Death NYT JULY 3, 2014
https://www.nytimes.com/2014/07/06/
Cavorting in Coney Island in 1952.
Photograph: Museum of Modern Art, New York; Estate of Garry Winogrand, Fraenkel Gallery, San Francisco
No Moral, No Uplift, Just a Restless ‘Click’ ‘Garry Winogrand,’ a Retrospective at the Metropolitan Museum NYT JULY 3, 2014
https://www.nytimes.com/2014/07/04/
A couple at El Morocco, photographed by Garry Winogrand in 1955.
Photograph: The Estate of Garry Winogrand/Fraenkel Gallery, San Francisco
Looking at Photos the Master Never Saw When Images Come to Life After Death NYT JULY 3, 2014
https://www.nytimes.com/2014/07/06/
Garry Winogrand photonumerique blog http://photonumerique.codedrops.net/IMG/jpg/winogrand1.jpg http://photonumerique.codedrops.net/spip.php?article77 http://photonumerique.codedrops.net/spip.php
Chet Baker, Newport Jazz festival, Rhode Island, 1955 what something will look like photographed’
‘Poetic glimpses of postwar America’: Garry Winogrand’s colourful streets – in pictures The influential street photographer was known for his black-and-white images, but a new book collects the dazzling colour slides he captured from the 1950s onwards G Wed 3 Jan 2024 08.00 CET
https://www.theguardian.com/artanddesign/gallery/2024/jan/03/
White Sands National Monument, New Mexico, 1964 There are also scenes of everyday life taken on the road during the 1960s, set against the backdrops of highways, suburbs, airports, fairgrounds and national parks
‘Poetic glimpses of postwar America’: Garry Winogrand’s colourful streets – in pictures The influential street photographer was known for his black-and-white images, but a new book collects the dazzling colour slides he captured from the 1950s onwards G Wed 3 Jan 2024 08.00 CET
https://www.theguardian.com/artanddesign/gallery/2024/jan/03/
Garry Winogrand 1928-1984
Prolific street photographer Garry Winogrand captured the strangeness of 1960s America.
http://www.theguardian.com/artanddesign/gallery/2014/jun/16/
Born in the Bronx, Winogrand did much of his best-known work in Manhattan during the 1960s, and in both the content of his photographs and his artistic style he became one of the principal voices of that eruptive decade.
Known primarily as a street photographer, Winogrand, who is often associated with famed contemporaries Diane Arbus and Lee Friedlander, photographed with dazzling energy and incessant appetite, exposing some twenty thousand rolls of film in his short lifetime.
He photographed business moguls, everyday women on the street, famous actors and athletes, hippies, politicians, soldiers, animals in zoos, rodeos, car culture, airports, and antiwar demonstrators and the construction workers who beat them bloody in view of the unmoved police.
Daily life in postwar America —rich with new possibility and yet equally anxious, threatening to spin out of control— seemed to unfold for him in a continuous stream. http://www.metmuseum.org/exhibitions/listings/2014/garry-winogrand
https://fraenkelgallery.com/artists/
https://en.wikipedia.org/wiki/
https://www.theguardian.com/artanddesign/gallery/2024/jan/03/
https://www.theguardian.com/artanddesign/gallery/2019/aug/14/
https://www.nytimes.com/2018/04/06/
https://www.theguardian.com/artanddesign/2016/apr/30/
https://www.nytimes.com/2014/07/06/
http://www.theguardian.com/artanddesign/gallery/2014/jun/16/
https://www.metmuseum.org/press/exhibitions/2014/
http://www.nytimes.com/interactive/2012/04/22/magazine/
http://6thfloor.blogs.nytimes.com/2012/04/19/
http://www.nytimes.com/1984/03/21/
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