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Arts > Photographers > 20th, 21st century > USA > Nick Nixon
Elm Street. East Cambridge, Mass. 1981.
Photograph: Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
Clementine. Cambridge, Mass. 1985.
Photograph: Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
C.C. Boston. 1983.
Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
John Royston. Easton, Mass. 2006.
Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
Bebe. Cambridge, Mass. 1980.
Photograph: Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
Robert Sappenfield and his parents. Dorchester, Mass. 1988.
Photograph: Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco
Nick Nixon: Photographing Slowly for 40 Years NYT Sep. 9, 2015 http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/
Nick Nixon
Ninety-five percent of his photographs, (...) have been taken with a view camera and contact-printed from large negatives in the darkroom.
“I’m proud to be a part of a line of people who have used the same thing that basically Daguerre and Fox Talbot and everybody else in the 19th century used,” he said.
“I think the reason it’s still good is something about time.
Both the subject and the photographer slow down and they take a little more time.
And there is a kind of collaborative thing to it that’s lovely and old.”
http://lens.blogs.nytimes.com/2015/09/09/
https://www.theguardian.com/artanddesign/2016/jun/09/
http://www.nytimes.com/slideshow/2016/06/08/
http://lens.blogs.nytimes.com/2015/09/09/
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