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Arts > Photographers > 20th, 21st century > USA > Nick Nixon

 

 

 

Elm Street. East Cambridge, Mass.

1981.

 

Photograph:

Nicholas Nixon,

Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Clementine. Cambridge, Mass. 1985.

 

Photograph:

Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

C.C. Boston. 1983.

 

Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

John Royston. Easton, Mass. 2006.

 

Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bebe. Cambridge, Mass. 1980.

 

Photograph:

Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Sappenfield and his parents. Dorchester, Mass. 1988.

 

Photograph:

Nicholas Nixon, Courtesy of Fraenkel Gallery, San Francisco

 

Nick Nixon: Photographing Slowly for 40 Years

NYT

Sep. 9, 2015

http://lens.blogs.nytimes.com/2015/09/09/nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Nick Nixon

 

Ninety-five percent

of his photographs,

(...) have been taken

with a view camera

and contact-printed

from large negatives

in the darkroom.

 

“I’m proud to be a part

of a line of people

who have used

the same thing

that basically Daguerre

and Fox Talbot

and everybody else

in the 19th century used,”

he said.

 

“I think the reason

it’s still good

is something about time.

 

Both the subject

and the photographer

slow down

and they take

a little more time.

 

And there is a kind

of collaborative thing to it

that’s lovely and old.”

http://lens.blogs.nytimes.com/2015/09/09/
nick-nixon-photographing-slowly-for-forty-years/

 

 

https://www.theguardian.com/artanddesign/2016/jun/09/
nicholas-nixon-photography-aids

http://www.nytimes.com/slideshow/2016/06/08/
blogs/a-photographers-eye/s/08-lens-eyes-slide-8G5E.html

 

http://lens.blogs.nytimes.com/2015/09/09/
nick-nixon-photographing-slowly-for-forty-years/

 

 

 

 

 

 

 

 

 

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