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Arts > Dance > Timeline > 20th-21st century > UK, USA
This task is called Passive/Aggressive.
In it, Mr. Jones said: “One person becomes the support and the other person is leaning and trying to give as much weight as they can.
And then groups of people connect to those two people.
They can either lift the person up or they can all just collapse to the ground or they can just walk out of it.
That’s where the menu gets very exciting: When you see the combinations and the shapes.”
Photograph: Ike Edeani for The New York Times
Bill T. Jones Knows Life Will Change, and His Art Too NYT May 20, 2020 Updated 10:11 a.m. ET
https://www.nytimes.com/2020/05/20/
The Martha Graham Dance Company performs the 1981 work “Acts of Light” in 1991, shortly after the founder’s death.
Graham was born in Pennsylvania on May 11, 1894, and moved with her family to Santa Barbara, Calif., when she was 14.
Photograph: Ruby Washington The New York Times
Living and Breathing Martha Graham
The company, celebrating its 90th anniversary, includes dancers from all over the world who have had varying entry points into the organization. By GIA KOURLAS NYT APRIL 1, 2016
https://www.nytimes.com/2016/04/03/
Bill T. Jones performs poses from his 1983 solo work, “21.”
Photograph: Inez and Vinoodh Styled by David Vandewal
The TranscendentArtistry of a Legendary Dancer, Four Decades In At 64, the choreographer, director, dancer and writer Bill T. Jones is making some of the most personal work of his career. NYT JUNE 6, 2016
https://www.nytimes.com/2016/06/06/
James Whiteside and Isabella Boylston, before debuting as Giselle and Albrecht in Minneapolis.
Photograph: Daniil Simkin
A Ballet Dancer, Offstage, With a Camera By Rena Silverman NYT Lens Apr. 21, 2015
https://archive.nytimes.com/lens.blogs.nytimes.com/2015/04/21/
Alexei Ratmansky USA
From left, Adrian Danchig-Waring, Georgina Pazcoguin, Christopher Grant and Megan Fairchild in “Russian Seasons,” the first ballet Ratmansky made for the company.
Photograph: Caitlin Ochs for The New York Times
At City Ballet, Alexei Ratmansky Can Let His Imagination Run Wild When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet. NYT January 6, 2023
https://www.nytimes.com/2023/01/06/
https://www.nytimes.com/2023/01/06/
Kyle Abraham USA
Ashley Kaylynn Green and Chalvar Monteiro, center, with fellow members of Alvin Ailey American Dance Theater performing in the premiere of “Are You In Your Feelings?” at New York City Center.
Photograph: Andrea Mohin The New York Times
‘Are You in Your Feelings?’ Review: The Ups and Downs of Love At Kyle Abraham’s premiere for Alvin Ailey American Dance Theater at New York City Center, dancers find intimacy in songs by Erykah Badu and Jazmine Sullivan. NYT Dec. 4, 2022
https://www.nytimes.com/2022/12/04/
Ben Duke dance company UK
Liam Francis as Jason
Photograph: Tristram Kenton
A merry Medea? Inside Lost Dog’s Ruination at the Royal Opera House – in pictures For an ‘alternative festive show’, Ben Duke and his dance company have created a witty version of the Greek myth in London’s Linbury theatre G Thu 1 Dec 2022 15.59 GMT
https://www.theguardian.com/stage/gallery/2022/dec/01/
Ben Duke dance company
https://www.theguardian.com/stage/gallery/2022/dec/01/
Garth Fagan USA
From left, Gabrielle Samuel, Sabrina Cmelak, Davente Gilreath and Daria Clarke in Pennewell’s “Dreamer.”
Photograph: Andrea Mohin The New York Times
Review: Two Years Later, Garth Fagan Dances Out His Company’s 50th
The “Lion King” choreographer brings his company to the Joyce Theater in programs that feature his work and dances by the talented Norwood Pennewell. NYT November 16, 2022
https://www.nytimes.com/2022/11/16/
Garth Fagan
https://www.nytimes.com/2022/11/16/
http://www.nytimes.com/2009/10/29/
Richard Alston UK
End of an era ... Richard Alston’s Voices and Light Footsteps.
Photograph: Tristram Kenton The Guardian
how to save the legacy of dance from being lost in history While Richard Alston’s company hang up their dance shoes, archivists and choreographers are grasping at ways to immortalise an inherently slippery art form G Thu 12 Mar 2020 10.12 GMT Last modified on Thu 12 Mar 2020 10.17 GMT
https://www.theguardian.com/stage/2020/mar/12/
https://www.theguardian.com/stage/
https://www.theguardian.com/stage/gallery/2020/sep/21/
https://www.theguardian.com/stage/2020/mar/12/
https://www.theguardian.com/stage/2020/mar/08/
https://www.theguardian.com/stage/2019/nov/28/
https://www.theguardian.com/stage/2016/apr/03/
Yvonne Rainer USA
In 1966, Yvonne Rainer presented “Trio A,” her celebrated solo that emphasized movement over expression.
By stripping dance of narrative, of emotion and even of the dancer’s gaze — there is no looking at the audience — the steps could shine.
And those steps, delivered with the same temperament no matter how simple or difficult, were the dance.
What did Rainer banish? Affectation.
In another iteration of “Trio A,” in 1970, the work expanded to six dancers, including Rainer, who performed nude with American flags tied around their necks like halter tops, at the People’s Flag Show at Judson Memorial Church in New York.
The event was a response to the prosecution of the gallery owner Stephen Radich for showing work that desecrated the flag.
Censorship, the Vietnam War — these were issues of the day.
https://www.nytimes.com/2022/10/05/
https://www.nytimes.com/2022/10/05/
Twyla Tharp USA
The choreographer Twyla Tharp dancing in 1979.
Photograph: Brownie Harris Corbis via Getty Images
Twyla Tharp and Her Body of Perpetual Motion “American Masters: Twyla Moves,” a new PBS documentary, is also a portrait of a singular dancer over time. NYT March 18, 2021
https://www.nytimes.com/2021/03/18/
Twyla Tharp
https://www.nytimes.com/2022/12/01/
https://www.nytimes.com/2021/03/18/
The Martha Graham Dance Company USA
https://www.nytimes.com/2023/06/07/
http://www.nytimes.com/2016/04/03/
choreographer > Bill T. Jones USA
https://www.nytimes.com/2020/05/20/
http://www.nytimes.com/2016/06/06/
choreographer > Wayne McGregor UK
http://www.guardian.co.uk/stage/2011/dec/02/
choreographer > Mark Morris UK
https://www.theguardian.com/stage/
http://www.theguardian.com/stage/2013/nov/11/
Alvin Ailey's American Dance Theater gave black choreography identity and emotional presence UK
http://www.guardian.co.uk/stage/2010/sep/09/
Mary Ellen Moylan USA 1925-2020
‘First Great Balanchine Dancer’
https://www.nytimes.com/2021/04/13/
Anne Raven Wilkinson USA 1935-2018
one of the first African-American dancers to perform with a major ballet company, the Ballet Russe de Monte Carlo
https://www.nytimes.com/2018/12/20/
Patrick McGrath, left, and Oluwadamilare Ayorinde rehearsing in SoHo.
Photograph: Nathan Bajar for The New York Times
The Persistence of Vision (Trisha Brown’s, That Is) NYT December 1, 2017
https://www.nytimes.com/2017/12/01/
Trisha Brown USA 1936-2017
choreographer and exemplar of the founding generation of American postmodern dance (...)
Few dance inventors have so combined the cerebral and sensuous sides of dance as Ms. Brown did, and few have been as influential.
Her choreography, showcased primarily in New York, helped shape generations of modern dance creators into the 21st century.
https://www.nytimes.com/2017/03/20/
https://www.nytimes.com/2020/09/16/
https://www.nytimes.com/2017/03/20/
https://www.nytimes.com/2017/03/20/
Paul Taylor USA 1930-2018
John Harnage in the premiere of “Solitaire” by the company’s resident choreographer, Lauren Lovette.
A new era of dancers at Paul Taylor moves with the same gusto and grit as those who came before.
Photograph: Andrea Mohin The New York Times
Dancing at Paul Taylor, a New Generation Finds Its Footing For its Lincoln Center season, the Paul Taylor Dance Company presents premieres by Lauren Lovette and Amy Hall Garner, along with the classics. NYT November 4, 2022
https://www.nytimes.com/2022/11/04/
The choreographer Paul Taylor rehearsing his company in 2008.
Mr. Taylor laid the groundwork for how his company would proceed after his death.
Photograph: Andrea Mohi The New York Times
The Paul Taylor Company Without Paul Taylor NYT Sept. 3, 2018
https://www.nytimes.com/2018/09/03/
Paul Taylor (...) brought a lyrical musicality, capacity for joy and wide poetic imagination to modern dance over six decades as one of its greatest choreographers
https://www.nytimes.com/2018/08/30/
https://www.nytimes.com/topic/person/paul-taylor
https://www.nytimes.com/2022/11/04/
https://www.nytimes.com/2018/09/03/
https://www.npr.org/2018/08/30/
https://www.nytimes.com/2018/08/30/
https://www.nytimes.com/2018/08/30/
Lindsay Kemp UK 1938-2018
The dancer, actor and choreographer Lindsay Kemp, whose students included David Bowie, in an undated photo.
Photograph: Sigfrid Casals Cover, via Getty Images NYT Aug. 29, 2018
https://www.nytimes.com/2018/08/29/
Lindsay Kemp 1938-2018
Influential avant garde creative force who worked with David Bowie
https://www.theguardian.com/stage/lindsay-kemp
https://www.nytimes.com/2018/08/29/
https://www.theguardian.com/stage/gallery/2018/aug/25/
https://www.theguardian.com/stage/2018/aug/25/
https://www.theguardian.com/stage/2018/aug/25/
https://www.theguardian.com/stage/video/2015/may/14/
Ivan Nagy 1943-2014
dancer of riveting noble presence who became one of American Ballet Theater’s most popular stars in the 1970s as an acclaimed partner to great ballerinas
https://www.nytimes.com/2014/02/26/
Frederic Franklin UK 1914-2013
charismatic British-born dancer and ballet master who was known for his stylistic versatility and his inexhaustible energy — he performed into his 90s —
http://www.nytimes.com/2013/05/06/
Merce Cunningham USA 1919-2009
Merce Cunningham
Photograph: Mark Seliger
BAM Presents Merce Cunningham at 90 April 14, 2009 http://dancingperfectlyfree.files.wordpress.com/2009/04/merce-by-mark-seliger.jpg
1984 Merce Cunningham Dance Company. Photo by Tony Dougherty. http://www.flickr.com/photos/mcdc/223170114/sizes/o/ http://www.flickr.com/photos/mcdc/223170114/ http://www.flickr.com/search/?q=merce%20cunningham&w=78629323%40N00
Merce Cunningham photographed at the school by Larsen Archer, circa 1953.
Photograph: Courtesy of the Estate of Hazel Larsen Archer and the Black Mountain College Museum + Arts Center
Why Are We Still Talking About Black Mountain College? In 1933, a handful of renegade teachers opened a school in rural North Carolina that would go on to shape American art and art education for decades to come. NYT July 7, 2022
https://www.nytimes.com/2022/07/07/
https://www.theguardian.com/stage/
https://www.nytimes.com/topic/person/
https://www.nytimes.com/2022/07/07/
https://www.nytimes.com/2021/07/03/
https://www.npr.org/2019/04/20/
http://www.nytimes.com/2009/07/28/
http://www.independent.co.uk/arts-entertainment/theatre-dance/
https://www.washingtonpost.com/wp-dyn/content/article/2009/07/27/
http://www.guardian.co.uk/stage/2009/jul/27/
http://artsbeat.blogs.nytimes.com/2009/07/27/
http://video.nytimes.com/video/2009/07/27/
http://www.guardian.co.uk/stage/gallery/2008/sep/16/
http://www.youtube.com/watch?v=11Ev9uKlKNM
http://www.youtube.com/watch?v=35kPfQbn7IU
http://www.guardian.co.uk/artanddesign/2008/sep/30/
http://www.guardian.co.uk/stage/gallery/2008/sep/16/
Annabelle Lyon USA 1916-2011
American ballerina who danced with some of the most important companies in the formative years of 20th-century American ballet
http://www.nytimes.com/2011/11/11/
Jerome Robbins USA 1918-1998
Mira Nadon and Aarón Sanz
‘Like He Was Going to Live Forever’: Making Jerome Robbins’s Last Ballet His exuberant “Brandenburg,” which returns to City Ballet this month, was made near the end of his life, when he was physically and emotionally frail. NYT May 6, 2023
https://www.nytimes.com/2023/05/06/
Jerome Robbins 1918-1998
born Jerome Wilson Rabinowitz
https://www.nytimes.com/2023/05/06/
Martha Graham USA 1894-1991
prime revolutionary in the arts of this century and the American dancer and choreographer whose name became synonymous with modern dance
https://www.nytimes.com/1991/04/02/
Related > Anglonautes > Vocapedia > Arts > Stage
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