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GoPro or Go Budget Video Molly Wood | The New York Times 25 October 2014
Molly Wood tests the GoPro Hero4 and the Polaroid Cube action cameras. While the Hero4 sets the industry standard, she finds that you may not always need all that bang for your buck.
Produced by: Molly Wood and Vanessa Perez Read the story here: http://nyti.ms/12jO7dG Watch more videos at: http://nytimes.com/video
YouTube https://www.youtube.com/watch?v=P72RsV2CAEs
video
video art
video sculptures USA
http://www.nytimes.com/2015/07/28/arts/design/
France > Videoformes http://www.videoformes-fest.com/
video artist
videotape
immersive architectural video installation
video projection
How to use light: a GuardianWitness guide to making great video 16 April 2013 UK
https://www.theguardian.com/artanddesign/video/2013/apr/16/
handycam
camcorder
Video 18 April 2013
When video artist Bill Viola was 6 years old he fell into a lake, all the way to the bottom, to a place which seemed like paradise. "There's more than just the surface of life." Viola explains. "The real things are under the surface".
American Bill Viola (born 1951) is a pioneer in video art.
In this interview, Viola talks about his development as an artist and his most important breakthroughs.
As a child Bill Viola felt that the world inside his head was more real than the outside word.
Viola discovered video in 1969.
The blue light from the first camera he experienced reminded him of the water in that beautiful lake he almost died in when he was 6.
The first video piece Viola did on his own was "Tape I" from 1972, when he was still at university.
Viola replaced the university art theories with his own secret underground path, through Islamic mystics, to Buddhism, to Christianity and finally to St John of the Cross.
It was a very liberating experience for him, when he first started calling his artworks what they actually were to him.
Viola once felt that home videos should be kept separate to his artwork, but the sorrow of his mother's death, and the difficulty of understanding this transition from life to "disappearance", slowly changed his point of view. He realized that things could not be kept separate.
Viola now sees the cameras as keepers of the soul, he explains.
The medium holds onto life, a kind of understanding of feelings, keeping them alive.
Bill Viola was interviewed by Christian Lund, Louisiana Museum of Modern Art, in London, 2011.
Camera: Marie Friis Grading: Honey Biba Beckerlee. Edited by Martin Kogi Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2013
YouTube > Louisiana Channel http://www.youtube.com/watch?v=uenrts2YHdI
Bill Viola UK
https://www.theguardian.com/artanddesign/
http://www.theguardian.com/artanddesign/2014/may/23/
Shigeko Kubota Japan, USA 1937-2015
with Nam June Paik, her future husband, ( Shigeko Kubota ) was one of the first artists to see the artistic potential of video technology, which she integrated in intensely personal sculptural works
http://www.nytimes.com/2015/07/28/arts/design/
Bill Viola The Passions 2003
http://www.getty.edu/art/exhibitions/viola/
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