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Vocapedia > Arts > Movies > Editing

 

 

 

 

 Regular 8mm Splicing

Michael Carter    May 4, 2017

 

My Regular 8mm editing or splicing set up is shown.

 

Prints from negatives were slit

then spliced together for projection.

 

How to use a Bolex splicer is shown.

 

That splicer will do Super 8mm

or Regular 8mm acetate films.

 

YouTube

https://www.youtube.com/watch?v=yWPYe2Wxsks

 

 

 

 

 

 

 

 

 

8mm film > editing > splicing

 

https://www.youtube.com/watch?v=yWPYe2Wxsks    *****

 

 

 

 

 

 

 

splicer

 

 

 

 

 

 

 

splice

 

 

 

 

 

 

 

splice tapes

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

edit        USA

 

https://www.npr.org/templates/story/
story.php?storyId=5532408 - July 4, 2006

 

 

 

 

 

 

 

editor        USA

 

https://www.nytimes.com/2018/05/09/
obituaries/anne-v-coates-admired-editor-of-acclaimed-movies-dies-at-92.html

 

http://www.npr.org/2016/02/15/
466832925/you-bite-off-a-little-bit-mad-max-editor-on-how-to-shape-a-film

 

https://www.nytimes.com/2010/04/19/
movies/19allen.html

 

https://www.npr.org/templates/story/
story.php?storyId=5532408 - July 4, 2006

 

 

 

 

 

 

 

cut

 

 

 

 

 

 

 

rough cut        UK

 

https://www.theguardian.com/film/2018/jan/25/
sofia-coppola-on-the-virgin-suicides-director-debut

 

 

 

 

 

 

 

final cut

 

 

 

 

 

 

 

cutting room        UK

 

http://www.theguardian.com/film/2013/nov/28/
spike-jonze-her-interview-scarlett-johansson-joaquin-phoenix-jackass

 

 

 

 

 

 

 

cutting room        USA

 

http://www.npr.org/2016/02/15/
466832925/you-bite-off-a-little-bit-mad-max-editor-on-how-to-shape-a-film

 

 

 

 

 

 

 

single-shot movie        USA

 

https://www.npr.org/2020/02/09/
802248145/who-needs-high-tech-film-editing-when-theres-the-thrill-of-the-single-shot

 

 

 

 

 

 

 

footage        USA

 

http://www.npr.org/2016/02/15/
466832925/you-bite-off-a-little-bit-mad-max-editor-on-how-to-shape-a-film

 

 

 

 

 

 

 

private footage        UK

 

http://www.guardian.co.uk/uk/2012/jun/01/
bbc-documentary-images-queen-making

 

 

 

 

 

 

 

editing software

 

 

 

 

 

 

 

lens

 

 

 

 

 

 

 

CCD

 

 

 

 

 

 

 

camcorder        UK

 

https://www.theguardian.com/technology/2007/mar/29/
guardianweeklytechnologysection

 

 

 

 

 

 

 

tape

 

 

 

 

 

 

 

section

 

 

 

 

 

 

 

in point

 

 

 

 

 

 

 

fast forward to...

 

 

 

 

 

 

 

out point

 

 

 

 

 

 

 

mark out

 

 

 

 

 

 

 

capture

 

 

 

 

 

 

 

rewind

 

 

 

 

 

 

 

play

 

 

 

 

 

 

 

edit

 

 

 

 

 

 

 

shuffle the scenes around

 

 

 

 

 

 

 

 

 

Corpus of news articles

 

Arts > Films > Editors

 

 

 

Dede Allen,

Pioneering Film Editor,

Dies at 86

 

April 19, 2010
The New York Times
By FELICIA R. LEE

 

Dede Allen, an editor whose work in films like “Reds,” “The Hustler” and “Bonnie and Clyde” revolutionized images with a staccato style that gave a story a sense of constant motion, died on Saturday. She was 86.

Her daughter, Ramey Ward, said Ms. Allen died at her Los Angeles home. She had suffered a stroke on Wednesday.

Ms. Allen was born Dorothea Corothers Allen in Cleveland on Dec. 3, 1923, the daughter of an actress, Dorothea S. Corothers, and a Union Carbide executive, Thomas Humphrey Cushing Allen III. As a child Ms. Allen was interested in film and wanted to join the circus, Ms. Ward said. She ended up studying architecture, weaving and pottery at Scripps College in Claremont, Calif., before going to work as a messenger at Columbia Pictures in Hollywood.

During World War II she landed a job in Columbia’s sound-effects department and began editing commercial and industrial films. In the late 1950s, she cut her first feature film, “Odds Against Tomorrow.” The director was Robert Wise, who had been Orson Welles’s editor on “Citizen Kane.”

Ms. Allen was one of the first in her profession to give sound as much importance as images. She was also among the first to command a percentage of a movie’s profits. Her cutting-edge style earned her Academy Award nominations for “Dog Day Afternoon” (1975), “Reds” (she shared the nomination with Craig McKay for the 1981 film, for which she also served as an executive producer) and “Wonder Boys” (2000). She is credited with editing or co-editing 20 major films in a 40-year period.

“She certainly revolutionized the way movies were cut and radicalized ways of looking at a narrative,” said Scott Rudin, the film and theater producer who worked with Ms. Allen on “Wonder Boys” and “The Addams Family.” Ms. Allen, he said, “was much less interested in literalism and would jump from the middle of a scene to the middle of a scene, not bound to the conventional ideas about how you told a movie story.”

In addition to her daughter, Ms. Allen is survived by her husband of 63 years, Stephen E. Fleischman, a retired documentary writer and producer and television executive; her son, Tom Fleischman, a sound recording mixer; five grandchildren; and two great-grandchildren.

“Film editing is making a scene play,” Ms. Allen said in a New York Times Magazine article in 1980. “Every performance has a certain rhythm to it that can’t be violated. Then I go by the look of a scene and how I feel about it.”

Dede Allen, Pioneering Film Editor, Dies at 86,
NYT,
19.4.2010,
https://www.nytimes.com/2010/04/19/
movies/19allen.html

 

 

 

 

 

 

 

 

 

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